NEGATIVE

EMOTIONS

AS

IN PORCELAIN

LIMITED

UNICAT

This project invites you to reconsider your own negative emotions.

These fragrances are not meant for a quick evaluation.

Experiencing them is a process—one that requires time and openness.

The compositions move away

from traditional and classical

perfume structures,

drawing instead from the olfactory

language of the human body.

Raw Emotions – The Method of Creation

Throughout a single day, we pass through countless emotional states – some explosive, intense, and restless, others delicate, quiet, almost imperceptible.

During the development of this project, it became clear to me that logic and technical knowledge of aromas alone were not enough. This work demanded more than a conventional method.

I wanted to capture emotions and translate them into scent.

Through self-observation, I waited for precise moments in which a specific emotional state became tangible to me. From within these moments, I composed each fragrance. When I felt fear, I worked directly from that state. When envy, hate or grief emerged, I developed the compositions within those fleeting emotional instances.

Only when I began to create from my own emotions did I discover a new form of expression.

In this way, four fragrances built upon unusual aromatic constellations were born: FEAR, HATE, GRIEF, and ENVY.

My own emotions—translated into scent.

NEGATIVE EMOTIONS AS EXTRAIT DE PARFUM

IN PORCELAIN

Two opposing forces converge within this composition.

The scent feels both familiar and enigmatic at once.

This tension defines its presence.

A sense of deep familiarity and profound unfamiliarity coexist within the same space.

Through this contradiction, the language of the fragrance begins to unfold.

Once the interplay of its notes and their unusual combinations has been internalized—and its metaphysical dimension grasped—the experience resonates not only on an emotional level, but also on an intellectual one.

This project invites you to reconsider your own negative emotions.

The compositions move away

from traditional and classical

perfume structures,

drawing instead from the olfactory

language of the human body.

Raw Emotions – The Method of Creation

Throughout a single day, we pass through countless emotional states – some explosive, intense, and restless, others delicate, quiet, almost imperceptible.

During the development of this project, it became clear to me that logic and technical knowledge of aromas alone were not enough. This work demanded more than a conventional method.

I wanted to capture emotions and translate them into scent.

Through self-observation, I waited for precise moments in which a specific emotional state became tangible to me. From within these moments, I composed each fragrance. When I felt fear, I worked directly from that state. When envy, hate or grief emerged, I developed the compositions within those fleeting emotional instances.

Only when I began to create from my own emotions did I discover a new form of expression.

In this way, four fragrances built upon unusual aromatic constellations were born: FEAR, HATE, GRIEF, and ENVY.

My own emotions—translated into scent.

Cut along the marked line

with scissors or a utility knife